Friday, May 11, 2012

Mothers Day Again


It's Mothers Day again. It's different now that my mother is no longer alive, and now there's things I've learned about her that I didn't know before. It's like a conversation that I never had the chance to have. 
    My mother had many handbags and in each of her handbags she kept a linen or cotton handkerchief - a proper lady! My older sister kept all the handkerchiefs she found when she was clearing out Mom's closet - there were so many. She washed and ironed them and sent them to me because I had told her I'd find something to do with them. They'd been sitting in a plastic bag near my computer and next to the handkerchief pile I had an envelope filled with old letters; most of them are the correspondence between our mother and father when Dad was away in Europe for three months on assignment for his corporate job and Mom was home with a six-month baby (me) and my sister who was about to turn five years old in 1955. I scanned some of the letters, reversed the image, and using a special transfer paper managed to get the letters printed onto some of the handkerchiefs. I used another one to make a pocket of sorts with grommets and ribbon to close the "book." Inside are three letters right at the time of my sister's fifth birthday. The green silk butterfly embroidered on the "cover" is a scrap from a scarf that I remember my mother wearing in the days when women would fold a square scarf down to a triangle and wear it to protect their hairdo from being mussed in the breeze. 

Thursday, March 24, 2011

Art on Paper - Virtual Tour

I have an etching in this show and they've created a virtual tour for those who can't get to Annapolis to see the art. Very nice! (If you click on the dot on the venue layout window that's closest to the door opening on the diagram, you will see my piece as the camera takes a clockwise turn from that location. When the orange directional is pointed at the wall that is just to the right of the door opening, you will see my piece. It's fairly small; it's titled "Abandon.") Click on the phrase "a virtual tour" in the first line of this post, or copy and paste the url: http://www.panoramastreet.com/live/Demos/MDfederationofart/

Monday, March 21, 2011

"Rock Thy Brain"

I've been working on this book for awhile - mostly because of the beaded panel on the cover. Beading takes time . . .
After spending all that time with the beads and the sewing, it's stressful to start working with glue, in this case PVA. A tiny bit can ruin the book cloth. Brief description: I wanted to make a journal (to donate to the silent auction for the Shakespeare Theatre of New Jersey fundraising Gala event) that would be a place to record one's journey through the arts. A way to remember plays seen, exhibitions attended, books read, concerts attended, over the course of a year or so. So the inside pages are embellished, a bit, but mostly blank so that there's a place to write. Or to sketch. The book has seven signatures, sewn on tapes. The tapes are bits of leather that I backed with book cloth to avoid stretching, and then gilded. The covers are Davey Binders Board covered with Iris Bookcloth #848 (rust) and backed with decorative papers. The signatures are BFK Rives and sewn with waxed linen thread.

Thursday, March 10, 2011

Folded Books

Today is the start of the annual Chatham Library Book Sale. In honor of all those books that have been passed on from their original owners, I created a display of old books that I "folded." Here's a detail:

Monday, February 21, 2011

Scattered

I have the pages ready to put together for my entry for Booked8. It will be an accordion style binding so I don't have to worry about sewing.

Wednesday, February 16, 2011

Here I Go Again


A few years ago I did some embroidery beading projects. They were quite detailed and each was unique to the project they were intended for. It's been awhile since I've wanted to do that kind of creating because bending down low to see the beads kept giving me neck pain. Not to mention the issues with seeing, or not seeing, up close. That said, I've opened the box of beads, found the thread and started work on a piece that will become part of a cover of a journal book that I'm making for the silent auction for the Shakespeare Theatre of New Jersey. Maybe I work best with a deadline - it will have to be finished by March 26.

Sunday, December 5, 2010

Crossing the Line


Saturday night I went to the opening reception of "Hatching: Crossing the Line" at Guerilla Galleries in Newark, NJ. I have two etchings in the show and I was interested in seeing the gallery. Stan Sudol and Christine Wagner, founders and directors of Guerilla Galleries have put together an interesting collection of works that focus on the art of the hand-pulled print. Nicholas Naughton's prints on the left wall as you enter the gallery deal with modern day horrors of war in the way of Goya's "Los Desastres de la Guerra." Along the outside windows Yashua Klos's large woodblock prints on fabric, hang so that you can view them from both sides. Amir Hariri has three etchings, including "Guardian Bull" where his dexterous handling of line creates a relief-like image. Three small etchings from the series "In Pain" by Elisa Garcia de la Huerta, kept pulling me back to examine closely. All the art displayed here by the participating artists reminds us of the importance of line - the emphasis is on the strength of the drawing, the mark on the paper.